Hoang Tan Nguyen teaches and writes about queer cinema, experimental film, Asian American visual culture, video production, race and new media. His essays have appeared in Porn Studies (2004), Vectors: Journal of Culture and Technology in a Dynamic Vernacular (2006), GLQ (2007), kultur & geschlecht (2012), and Resolution 3: Video Praxis in Global Spaces (2012). His experimental videos have screened at the Museum of Modern Art, the National Museum of Modern Art at the Pompidou Center, the Getty Center and numerous film and media festivals. In fall 2005, he was a residential fellow at the University of California Humanities Research Institute in the cluster, "The Object of Media Studies." His book, A View from the Bottom: Asian American Masculinity and Sexual Representation (Duke University Press, 2014), examines the depiction of gay Asian bottomhood in Hollywood cinema, European art film, gay pornography and experimental documentary.